If the viewer feels that the artist works for himself, he is affected, but if he feels that the artist is not infected, but is trying to influence him, the viewer feels a resistance, and is repelled instead.
All can be summed up in a word — sincerity. The artist should be impelled by an inner need to express his feeling. Now, just as the evolution of knowledge proceeds by truer and more necessary knowledge displacing previous knowledge, so the evolution of feeling proceeds through art — feelings more kind and needful to humanity replace the older feelings.
That is the purpose of art. In every age there exists an understanding of the meaning of life which represents the highest level which has been attained.
If it appears that in our Society there is no religious perception, this is not because there is none, but because we do not want to see it. And often this is because it exposes the fact that our life is inconsistent with that religious perception. In our times religion is regarded as a superstition which humanity has outgrown, and yet if humanity is to progress there must be a guide to the direction of that movement.
Religions have always furnished that guide throughout history. So there must be some form of religious perception today — and in its widest and most practical application, it is the consciousness that or well-being — materially and spiritually — lies in the growth of brotherhood among men — in their loving harmony with one another.
The chief mistake made by the people of the upper classes at the time of the Renaissance was that they set up in place of religious art, an art which aimed only at giving pleasure. It is said that the great evil is not that we do not know God, but that we make a god of something lower.
Instead of art which feeds the spirit, an empty and often vicious art is set up, which hides from us our need for true art. And true art for our time would demand the union of all people without exception — above all virtues it sets brotherly love to all men. Hegel on the Philosophy of Fine Art. Art can serve many puposes, and even be a pastime, but we want to examine the kind of art that is free in its aim and means. This is the only true art.
Its highest function is only served when it has established itself in a sphere which it shares with religion and philosophy, becoming thereby a mode and form through which the Divine, the profoundest interests of mankind, and spiritual truths of the widest range, are brought home to consciousness and expressed. It is in works of art that nations have deposited the richest ideas they possess, and often art serves as a key of interpretation to the wisdom and understanding of peoples.
Philosophy and religion also do this, but art appeals to the senses and is nearer to Nature and to our sensitive and emotional life. Art is the primary bond of mediation between the external world of the senses and the medium of pure thought and understanding. It could be objected that art was unworthy, being of the world of appearances and its deceptions. But in the world of Nature appearance is essential to reality.
There could be no such thing as truth if it did not actually appear for some person. And appearance in Nature itself is deceptive. It is only beyond the appearance of everyday life that we shall discover reality in any true sense. At least art does not pretend to be reality, whereas Nature, pretending to be the only reality,is more deceptive.
A work of art is not produced by Nature; it is brought into being by the agency of man. It is created essentially for man, and it is addressed to his senses 3. The essential point to maintain is that although talent and genius imply natural power, yet it is indispensable that. A work of art possesses a purely technical side — that of craft.
This is most obvious in architecture and sculpture, less so in painting and music, least in poetry. Added to this the more exalted the rank of the artist the more profoundly he ought to portray depths of soul and mind. Study is the means by which the artist brings to consciousness such a content.
Is art inferior to Nature? Art originates in the human spirit, it has received the baptism of the human mind and soul of man. The spiritual values are seized in the work of art and emphasized with greater purity and clarity than is possible in ordinary reality, therefore the work of art is greater. Man is a thinking consciousness; he makes explicit to himself all that exists. He has a need to bring himself in his own inner life to consciousness.
He needs to assert himself in that which is presented him in immediacy, external to himself, and by doing so at the same time to recognize himself therein. This purpose he achieves by the alteration he effects in external objects, upon which he imprints the seal of his inner life.
He does this in order that he may divest the world of its alienation from himself. A boy throws stones into a stream, and then looks with wonder at the circles which follow in the water, seeing there something of hs own doing.
This need runs through everything up to the level of art. Man satisfies his spirit by making explicit to his inner life all that exists, as well as further giving a realized external embodiment to the self thus made explicit. And by this reduplication of what is his own he places before the vision and within the cognition of himself and others what is within him.
Writers have asked what feelings art ought to excite. But feelings are subjective and passing, although powerful at the time, which is why people are so proud of having emotions. The trouble is that they do not attempt to study their emotions, which would help by creating thereby a distance from them.
Art can give this distance, because by depicting emotions, it helps the onlooker towards the study of his own emotions. Is art there to excite a feeling for beauty?
To appreciate beauty people have cultivated taste, but taste is superficial, and cannot grasp the real profoundity of art. Art scholarship is too often concerned only with externals. Art therefore is not just for the senses. The mind is intended to be affected as well and to receive some kind of satisfaction in it.
The creative imagination of a true artist is the imagination of a great mind and a big heart, it grasps the profoundest and most embracing human interests in the wholly definite presentation of imagery borrowed from objective experience.
Art is not meant to be a mere imitation of Nature — if it attempts a mere copy it will always lag a long way behind. Nevertheless the artist must learn the laws of Nature; of colour and chiaroscuro; of line and form. So what is the true content of art, and what is its aim? One opinion is that it is the the task of art to bring before us everything that the spirit of man can concieve.
Sensual desire is more brutal and domineering the more it appropriates the entire man, so that he does not retain the power to separate himself, and loses touch with his universal capacity.
Sometimes art showing such passions can awaken man to the horror of his condition, he can see them outside himself, they come before him as objects rather than part of himself — he begins to be free from them as aliens. In the same way, wailing women were hired at funerals, to create an external expression of grief, so that the sufferer can see his sorrow in an objective form and in reflecting on it, his sorrow is made lighter.
So art, while still remaining in the sphere of the senses, faces man from the might of his sensitive experience by means of its representations. We have seen how art instructs by revealing to man the contents of his nature, but if art tries to bluntly teach, it becomes merely a maxim, with the art added on as bait.
Thereby the very nature of art is abused. For a work of art ought not to bring before the creative imagination a content in its universality as such, but rather this universality under the mode of individual concreteness and distinctive sensuous particularity. For other ends such as instruction, purification, improvement, riches, fame and honour have nothing to do with a work of art as such, still less with the concept of art.
Ludwig Wittgenstein — Wittgenstein has said that in his opinion the subject of aesthetics is very big and entirely misunderstood. He would like a book on philosophy to contain chapters on words, and confusions that come up with them.
He compares language to a tool chest; words are used together in a family of ways — yet the tools could be very different. Now it makes sense! In one case you learn the rules. A tailor learns how to measure and cut the coat. Nevertheless we need the rules. In learning the rules, you get a more and more refined judgement; in fact learning the rules actually changes your judgement.
When the tutor grades your art essay, he looks for new radical perception of a suggested subject. You should also compare your interpretation of the work against the existing research. That is why art essay suggests extensive reading and research. Study the sources you have selected and make notes to use this information in your essay.
Don't forget to put down the bibliographical details of the source, including page numbers. Compose a plan of your future writing; make it as detailed as possible. Once you completed your outline, start writing the first draft.
In the introductory paragraph you state the main argument concerning the topic. The body is meant for developing and supporting the thesis made in the first paragraph.
The essay of words usually contains two - three brief quotes. You should indent direct quotations and enclose them in quotation marks [" "]. Add the footnote at the end of the quote.
Database of FREE arts essays - We have thousands of free essays across a wide range of subject areas. Sample arts essays!
The Masterminds of Art - The artists I have chosen for my research paper are Leonardo da Vinci and Michelangelo Buonarroti. The period the two artists lived in was the Renaissance period.
It was an eventful year for art writing, with plenty of shifts in the landscape, as new publications opened (including this one), or popped up, or reinvented fashionlosdaeroh.cf beneath all the. What is Art? essaysArt has been a part of our life for as long as humanity has existed. For thousands of years people have been creating, looking at, criticizing, and enjoying art. I would like to address three questions: what is art, what is its purpose, and why has it survived for this long.
Interesting art essays on the the history of color photography, from the #lovehustle of creative labor, and how to wear your backpack. Art Essay Start your work on the art essay by choosing a subject related to your studio preferences. When you write about art the spotlight of your analysis is the original art objects and exhibitions.